![]() It also climaxes with what might be the most unsettling death scene in any movie ever.įrom there, 2001: A Space Odyssey enters its dreamlike, psychedelic final act, one that confused and perplexed audiences upon the film’s original release back in 1968 and has remained notoriously elusive in the decades since. It’s in this section where 2001’s ideas about evolution and humanity come into focus, as HAL fights for his survival in a manner that makes you begin to wonder which of the film’s characters are actually acting the most like humans. Beginning about 50 minutes into the film, 2001’s third section focuses on astronauts sent to investigate the monolith’s radio signal as they come into intense conflict with their spaceship’s HAL 9000 operating computer. The bulk of 2001 is dedicated to its third section. That’s followed by the discovery and investigation of the monolith on the moon, which features some of the most operatic editing and filmmaking that Kubrick ever achieved. There’s the film’s iconic, wordless opening sequence, which shows a group of apes coming into contact with an otherworldly black monolith and shortly afterward learning to use bones as weapons and tools. Meanwhile, structurally 2001 is essentially split up into a few different sections. Visually, Kubrick brought his trademark long and steady takes to the film, which combined, give it a cold and observational look that just adds to its overall tone and mood. ![]() ![]() Clarke - who co-wrote the script with Stanley Kubrick - 2001 tackles many of the topics that have become pillars of the sci-fi genre, including human evolution, artificial intelligence, and space travel, and it does so with as much elegance and style as the genre has ever seen. There is no science-fiction film more well-regarded than 2001: A Space Odyssey. ![]()
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